By request

Here a few songs by request:

Mentioned in my 1985 nostalgia trip, "The Wild Rover" is a traditional drinking song which was the b-side of the Pogues' 1985 "Sally Maclennane" single. One to bang along to with the fist on the table.
The Pogues - The Wild Rover.mp3

Joachim Witt's "Herbergsvater" is possibly the best German-language dance track of all time. Witt was one of the early Neue Deutsche Welle (New German Wave) acts, scoring a big hit with "Goldener Reiter". A "Herbergsvater" is the landlord of German youth hostels. The general perception is that they are scarily strict bastards. They are also subject to the unfair defamatory stereotype of being prone to child molestation. Anybody who has ever been on a school trip to a Jugendherberge in Germany will know to fear a Herbergsvater (yet, I've met some really cool ones, too). Witt's song has very few lyrics, other than the rhythmic exclamation of "Ej, lasst das sein, Kinder, ihr seid wohl ganz versessen" ("Hey, stop it, kids, you're quite mad") and "Ich bin euer Herbergsvater und sage hhh hhh". Video here.
Joachim Witt - Herbergsvater.mp3

Extrabreit were Neue Deutsche Welle pioneers, scoring an early NWD hit with the excellent "Hurrah Hurra, die Schule brennt". "Annemarie", more punk than new wave, is from the same debut album, cheekily titled Ihre Grössten Erfolge (Their Greatest Hits), released in 1980 with a 3D cover that came with red/green cardboard glasses. Thi track featured the immortal line, "Annemarie, komm' fick mit mir" (which I doubt requires a translation), which was extremely exciting for a 14-year-old in the early '80s.
Extrabreit - Annemarie.mp3


Richard Cheese is a genius. His shtick is to transform rock/pop/hip hop tracks into lounge jazz numbers. Some versions are better than the originals, such as Coldplay's "Yellow" or Nirvana's "Rape Me" (introduced as "one for the ladies"). On "Sunday, Bloody Sunday", an adapted line provides a genuine laugh out loud moment (for a spoiler, peek here). On "Creep", Cheese -- who usually is not beyond liberal swearing -- subverts the lyrics by cleaning up the "so fucking special" line. Wisely, Cheese does not overcook the joke; each track is brief at between 1:30 and 2:00 minutes (at 2:08, "Creep" is a Cheese epic). It's funny, it's novelty, and it's artistry.
Richard Cheese - Sunday, Bloody Sunday.mp3
Richard Cheese - Yellow.mp3
Richard Cheese - Creep.mp3
Richard Cheese - Rape Me.mp3
Richard Cheese - Hey Ya.mp3
Richard Cheese - She Hates Me.mp3

And while we're at it, let's link the great Paul Anka big band style covers of Nirvana and Van Halen again. "Jump" in particular sounds like it was written for a Big Band treatment.
Paul Anka - Jump.mp3
Paul Anka - Smells Like Teen Spirit.mp3

1989

A most intense year. I fell heavily in unrequited love (we were closest of friends instead, FFS), and I had the worst day of my life. One morning in January I received my call-up papers for the apartheid army -- there was no way I'd go, but what to do other than leaving the country (and leaving behind the woman I hoped would love me back)? Refusing military "service" was punishable by six years in jail. After a Savuka concert that night, which I had to watch on my own after getting separated from my friends, I crashed the car I was about to sell to my friend Claude, and was lucky to to get away with a mashed-up lip, cut chin and sprained finger, since I was wearing no seatbelt (playing on tape at the time was Bruce Springsteen).

The army situation became an opportunity: it turned out that one could receive an exemption if one studied. So I registered at a college to complete my matriculation. From there I went on to university to study Sociology and Political Studies (the refuge for people who have no idea what to study). By the time I had completed my studies, it was safe to ignore call-up papers. Musically it was generally a terrible year, except in dance music, which hit a high.

Jevetta Steele - Calling You.mp3
The fantastically atmospheric theme song of the fantastically atmospheric film Baghdad Café (not to be confused with the train-wreck sitcom based on the film). The Percy Adlon film, originally titled Out Of Rosenheim, was originally released in 1987. It hit the South African circuit in 1989. I watched it twice at the movies, and several times on video that year.

Michelle Shocked - Anchorage.mp3
I was in bed with the woman I loved when this song played on the radio one afternoon. Alas, we were both dressed and there were other people in the room, resting after a day at the beach. Gah! I can't say I would know other Michelle Shocked songs. I taped the album, but didn't rate it. Except this song; it's great. Oh, and hello to my two loyal readers in Anchorage!

MarcAlex - Quick Quick.mp3
The South African hit of early 1989. Brothers MarcAlex not only filled the dancefloors with this innocuous discopop tune, but people everywhere were singing it. It's a catchy number, very much of its time (it even has a sax solo in it). After a few more inferior hits, Marcalex's gradual disappearance was barely noticed or bemoaned.

Gipsy Kings - Djobi Djoba.mp3
I could never get much enthused for the works of the Gipsy Kings, nor for the criticism of them. At the time I often DJed at parties, by dint of having the biggest and best record collection. As a party mover, this song worked. And where I live, it still does.

Roberta Flack - So It Goes.mp3
Flack's reputation is slightly tarnished by her duets with the likes of Peabo Bryson (though their "Maybe" was great). Fact is, Roberta Flack is one of history's great soul singers. Her 1988 Oasis album, which yielded this unassuming track, was quite lovely in the "Quiet Storm" sort of way. As I listen to it right now, I can smell 1989.

Natalie Cole - Miss You Like Crazy.mp3
Guess whom I associate this song with. Oh the tears this song soundtracked; just hearing it now knots up my stomach all over again. The album this is from, Good To Be Back, was actually pretty good. Especially the swinging vibe of the title track.

De La Soul - Me, Myself And I.mp3
Fabolous, 50 Cent, Ludacris, The Game and all these contemporary hip hop gubbins are pissing on the legacy of De La Soul. Fiddy and his ilk are really an outgrowth of the MC Hammer vs Vanilla Ice battle for the crown of rap kings via the deplorable gangsta rap scene of the '90s (OK, I'm not an expert on hip hop, it just seems like it to me). So where can we find the influence of De La Soul today?

Soul II Soul - Back To Life.mp3
Black Box - Ride On Time.mp3
Ten City - That's The Way Love Is.mp3
A trio of dance classics from a golden era. Soul II Soul were innovators from a British dance culture; Black Box was the best slice of Euro disco (though replacing the generously proportioned singer with a thin waif in the video was criminal); Ten City was a Chicago act produced in Germany, drawing from '70s soul, House and Euro to create a quite unique sound.

Edie Brickell & the New Bohemians - Friends.mp3
I bought this album because I thought I was supposed to like it. Hearing Brickell even now tends to remind of all the frustrations I felt in 1989. This song is an exception -- nice vocal performance, a good melody, and wonderfully stroppy lyrics that give the finger to bad friends, of whom I've had my fair share.

Martika - Toy Soldiers.mp3
When I played this a few minutes ago, my 12-year-old son came in, singing along. I asked how he knew that song. He told me Eminem sampled liberally from it on a song called -- and here we learn that Eminem is a true innovator -- "Like Toy Soldiers". I didn't want to like this song after Martika's redundant cover Carol King's "I Feel The Earth Move". But, pssst, it is actually quite good, at least within the context of Top 40 hits of 1989.

Mango Groove - Special Star.mp3
Oh, South Africans were proud of the multi-racial Mango Groove, which combined joyful pop with local musical genres, revived the pennywhistle (giving dues, as in this song, to the master of the art, Spokes Mashiane), and gave wider exposure to the miners' tradition of gumboot dancing. Mango Groove foreshadowed the New South Africa. Alas, by the time the New South Africa was born in 1994, Mango Groove was no more. Singer Claire Johnston's beautiful voice is now usually heard singing the national anthem before rugby internationals in South Africa. But "Special Star", with its multiple pace changes and that exuberant pennywhistle, is rightly a towering classic in local pop history. (Previously uploaded)

Peter Gabriel - In Your Eyes.mp3
I know, it's not from 1989 at all (it appeared on 1986's So). Why is it included in a 1989 nostalgia trip? Two words: Say Anything. Which came out in 1989 and created one of the most iconic moments in '80s cinema.

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And so we reach the end of my nostalgia trip through the 1980s. I will not attempt to do the 1990s, which are a blur to me (Mariah Carey was big in the '90s, yes?). The 1970s on the other hand... Oh yes, I'll do the 1970s soon.

1988

A pivotal year. There were loads of parties, a memorable bus trip to Zimbabwe for the Amnesty International concert, during which I became close friends with people who'd have a profound impact on my life, and I quit the hotel industry in November, not knowing what I'd do next (events in January 1989 would decide that for me). Oh, and the security police raided my place for the first time. Musically it was a good year, too. Having moved from London in September '87, my obsession with the UK Top 40 diminished. In South Africa, the singles market was tiny. Instead, there were record libraries, from which one could hire LPs, from rock classics to latest releases. I'd buy loads of albums having tested them first that way. Of course, the record industry forced these record libraries to close down by 1989, because home-taping kills music (as we have seen). The number of records I bought after that decreased as a result.

Chris Isaak - Blue Hotel.mp3
This came out in 1987, and really belongs in the 1987 post. It is here because it was on a tape I played on loop in my 1978 Audi 100 in early 1988. And that's the point of this series: songs that evoke the times, like a smell etc. "Blue Hotel" does just that. There are only few Chris Isaak songs I really like; but those I do like intensely, including "Blue Hotel", a song quite unlike anything I had heard before.

The Primitives - Crash.mp3
A quick burst of exuberance packed in glorious 2:30 minutes

Prefab Sprout - Cars And Girls.mp3
Allegedly a dig at Springsteen (if so, then misdirected), this came from the quite excellent From Langley Park To Memphis album, which also featured "The King Of Rock 'N Roll" with the immortal chorus: "Hot dog, jumping frog, Albuquerque". This song is lyrically more coherent than that, but my favourite track from the album is "Hey Manhattan", which I'll save for a later post.

Morrissey - Every Day Is Like Sunday.mp3
I utterly love the Smiths, but don't rate Morrissey's solo career highly, mostly because his withering poetry has become a self-conscious shtick. Morrissey has turned into the Ben Elton of music. The tendency became apparent already towards the end of The Smiths, who broke up just at the right time. This track, released quite soon after the death of the Smiths, is Morrissey at his best. Preceding the total descent into self-parody, the lyrics and music evoke a particular atmosphere with eery accuracy.

Everything But The Girl - Love Is Where I Live.mp3
It's not accurate to classify EBTG as a lounge-jazz pop act. In fact, it is impossible to classify them at all. Idlewild is their best album: it's laid back but has a certain appealing intensity, and so much of what the clichémongers like to call "aching beauty", particularly Tracy Thorns' vocals.

Lloyd Cole & the Commotions - Jennifer She Said.mp3
Lloyd Cole has been unjustly vilified by the taste gestapo, to the point of calumny. Rattlesnakes (1984) was an outstanding album, there was much to like about Easy Pieces (1985), and his final album with the Commotions, Mainstream, had many fine moments. Let's rehabilitate Lloyd Cole fully, and admit that he was a bright spot in the patchy '80s.

Wet Wet Wet - Temptation (live).mp3
Marketed to the teenage market when they first appeared on the scene in 1987, and subsequently a Moms' favourite with that song, Wet Wet Wet are an easy target for snobbish relegation. Yet, the debut album was a minor masterpiece of pop. "Angel Eyes" and "Temptation" combined great melodies with well judged arrangements and superb vocals by Marti Pellow. This is a live recording which appeared on a best of collection released last year.

Mica Paris - My One Temptation.mp3
In the desert of '80s soul music, 1988 was an oasis, and Mica Paris was pouring the cocktails. Her debut, "So Good", was superb, with "Breathe Life Into Me", "Words Into Action" (with Paul Johnson, featured in the 1987 set), "Like Dreamers Do", the title track and this little gem.

The Men They Couldn't Hang - The Colours.mp3
There are not many folk songs that invite such a mighty singalong as "The Colours", which also offers a revolutionary history lesson framed by Big Country guitars. Everybody now: "Red is the colour of the new republic; blue is the colour of the sea; white is the colour of my innocence; not surrender to your mercy". And down with the king!

Will Downing - A Love Supreme.mp3
A driving track based on John Coltrane's work of the same title, this is a bona fide soul classic. Downing (a label mate of Mica Paris, with whom he also duetted) is a vastly underrated singer; his vocals on "A Love Supreme" are impassioned yet cool. And check out the House-style keyboards. A fantastic song. What a travesty that "R&B" these days is dominated by pipsqueaky fuckers like Ne-Yo and Omarion, yet Downing never became a legend (unlike John).

Tracy Chapman - Baby Can I Hold You.mp3
Chapman and Suzanne Vega were at the vanguard of a new line of female singer-songwriters. Chapman's debut is a stunning, almost flawless album. Her set at the Amnesty International "Human Rights Now!" concert in Harare (oh, the fucking irony!) was great. Springsteen was good, Peter Gabriel theatrical, Sting earnestly poncey, Youssou N'Dour inspiring; but Tracy Chapman -- a solitary tiny figure on stage, armed only with her guitar -- touched the emotions more than any of them. A shame her subsequent output has been so decidedly patchy.

Tanita Tikaram - A Good Tradition.mp3
A folk-pop number with saxophone and Celtic strings sung by an exotic woman with a distinctive voice from Britain who was born in Germany. I'll be totally honest: I bought Tikaram's album unheard because I fancied her. It's not a bad album, "Twist In My Sobriety" and "World Outside My Window" are pretty good. But I don't think I'd need to hear it again. And "Good Tradition" song has aged a bit.

Bill Withers - Lovely Day (Sunshine Mix).mp3
Originally released in 1977, "Lovely Day" was said to have featured the longest ever recorded sung note. The song does what it says on the business plan: set you up for a good day. The remix, which was a hit in 1988, aims for setting up the party as well -- and succeeds in doing so. (Previously uploaded)

Kylie Minogue & Jason Donovan - Especially For You.mp3
I tend to use the term "guilty pleasure" at times, but don't really buy into the notion that there is anything to be ashamed about in liking a song not considered cool. Admitting to liking supposedly unapproved music is the first step towards beating the taste gestapo. So here it is: I like "Especially For You". I've always liked it, even when I pretended to disparage it. I acknowledge that it has no artistic merits whatsoever, but hearing it and crooning along to it makes me feel good. There, I've said it. Free at last etc. Liberate the Guilty Pleasures!

1987

In January I returned from a long holiday in sunny South Africa to freezing London. Soon I felt that I had had enough of London. When my best friend, Paul, moved to the US, I decided to return to SA, to reunite with my brother. And so in early September I did, got myself a job co-running the Room Service department at a 5-star hotel, and instantly regretted leaving London. So it was a shitty year. Musically, it wasn't particularly great either.

Blow Monkeys - It Doesn't Have To Be This Way.mp3
I loved "Diggin' Your Scene" the year before, but could not muster much enthusiasm for this song when it climbed the charts. Yet there it was on the radio whenever I put the thing on. It reminds me of cold, cold London, and having too little money to put on the gas heater. In the interim I have come to enjoy this song; it needs warm weather to be enjoyed.

A-ha - Manhattan Skyline.mp3
I've always been a bit ambivalent about A-ha, but this is a hell of a fine song. It reminds me a bit of the Beatles' occasional strategy of banging together two quite distinct, uncompleted compositions into one song. This one starts of slowly before launching into a heavy rock (by A-ha's standards) chorus, which the normally clear-voiced Morten Harket pulls off well.

Sly & Robbie - Boops.mp3
Robbie Williams sampled from "Boops" for his horrible "Rudebox" song. It pains me to think that a generation of people will grow up thinking that Williams created the only thing that is good about "Rudebox". "Boops" has cool written all over it.

Terence Trent D'Arby - If You Let Me Stay.mp3
The superstar that never was, undone by his own preciousness. This, his debut single, was the only modern song to be played at the Locomotion, the Friday night old soul club at the old Kentish Town & Country Club, before it was even released. I suspect the Trout, who lived in Kentish Town, knew the DJ. It got the crowds on the floor, too.

Paul Johnson - When Love Comes Calling.mp3
A prodigy of UK soul-funkster Junior Giscombe ("Mama Used To Say"), Paul Johnson was a fine soul singer who could hit ridiculously high notes. He never enjoyed great success, which is a pity. This song has a happy vibe, and Johnson's voice soars. Check out the long falsetto note when he sings "I'm masquerading" before launching straight into the chorus. An utter joy. (Previously uploaded)

Johnny Clegg & Savuka - Asimbonanga.mp3
In early '87, Savuka played at the Kentish Town & Country Club. The place was packed, mostly with white expatriate South Africans, not all of them visibly of the anti-apartheid activist persuasion. So a Clegg gig in London was exactly like a Clegg gig in Jo'burg or Durban. This is an incredibly moving anti-apartheid song, with its litany of martyred activists (Steve Biko, Victoria Mxenge, Neil Aggett) and its lament that we haven't seen Nelson Mandela. Less than three years later we would (see here).

Pet Shop Boys & Dusty Springfield - What Have I Done To Deserve This.mp3
Perhaps the single of the year. You had to admire the Pet Shop Boys for reintroducing the great Dusty Springfield from the over-the-hill circuit.

Black - Wonderful Life.mp3
The song that scores my departure from London. Recently I saw that lovely monochrome video again (look out for that superb shot of the rollercoaster at 1:23); it evoked a time and two places. I still like this strangely wistful song a lot, and the album, also called Wonderful Life, is quite excellent.

Prince - Starfish And Coffee.mp3
Just an album track from Sign 'O The Times. I find that inexplicable, seeing that the crap "U Got The Look" was a single. This is one of Prince's finest songs, with suitably weird lyrics, a great tune and a kick-ass singalong chorus. As for the alarm clock kicking off the song: inspired. Is Cynthia's breakfast menu code for something? (Previously uploaded)

Bananarama - Love In The First Degree.mp3
It's kitsch. It's Stock Aitken Waterman. It's 1987.

LL Cool J - I Need Love.mp3
I dig the tune, but the lyrics are hilarious. James promises to be a good boy if only somebody would love him truly. Aaah. But why on earth would J loo for the girl he'll love in his closet or under his rug? I had a video recording of LL Cool J performing this live on the short-lived US version of Top Of The Pops; all the girlies wanted to be soft as a pillow for the man who'd be as hard as steel. And I bet LL Cool J was communicating to his posse which of these girls he'd use and dispose of that night (that is presuming that all these rumours about Cool J aren't true).

Smokey Robinson - Just To See Her.mp3
A nice little soul song which gets the old toes tapping and the shoulders rocking. A rather more convincing plea for love than LL Cool J's, and a persuasive demonstration that the great Smokey had not lost his musical mojo even after a quarter of a century of writing and recording.

Bright Blue - Weeping.mp3
A South African classic (recently inexplicably battered and assaulted by the horrid Josh Groban) by a decent rock group that could never reproduce the magic of this song. Strangely, it received strong airplay on radio stations owned by the apartheid state, for its lyrics are directed at PW Botha and his murderous chums. And so it came about that state-owned radio got to play the strains of "Nkosi Sikeli' iAfrica" (then the anthem of the banned ANC and now the first half of South Africa's cobbled-together compromise national anthem). I suspect a couple of DJs took great pleasure in doing so. More on Bright Blue and "Weeping" here.

Bill Medley & Jennifer Warnes - I've Had The Time Of My Life.mp3
This is a fantastic pop song. It has it all: you can dance to it (dirty or otherwise), you can sing along to it loudly, it has great moments like the bang as the saxophone solo begins, and the dramatically cascading notes building up to a crescendo before Medley summarises softly just how good a time he has had, leading to the celebratory climax. The song structure in fact captures the rhythm of sexual intercourse, with the subtle changes of pace and two distinct orgasms (you didn't see that coming, did you?).

1986

Another good year, with fewer concerts and more clubbing. Most memorably I got into Stringfellows wearing my Manchester United t-shirt I slept in (sad, I know) under my jacket after my friend Paul dragged me out of bed to try the supposedly impossible. Telling the bouncer that you are there to meet a fictional diplomat helps; it adds to the amusement if said bouncer calls out to the head security dude if Mr Diplomat had already arrived. Seems like bouncer and I shared fictional friends. Added bonus to a year with a great summer: no unrequited crushes (alas, no requited crushes either).

Fine Young Cannibals - Suspicious Minds.mp3
In 1985 I was a bit of a FYC fan, having obtained a signed copy of the debut album and seen them live in concert (supported by a comic whose shtick was to get heckled for his non-punchlines, and then make slap down the hecklers with some hilarious one-liners. If anyone has his name, I'd be grateful to know it). "Suspicious Minds" featured on the album, but became a hit in this re-recorded version, with Bronski Beat/Communards singer Jimmy Summerville on backing vocals.

Hipsway - The Honethief.mp3
I discovered Scottish outfit by chance in 1985 when I bought the flopped single "Ask The Lord" from Woolworth's bargain bin. A very good song, so when "The Honethief" came out, I excitedly bought the 12" the same week. It became one of my songs of 1986, and still like it a lot (the '80s synth notwithstanding). The vocals are quite outstanding, I find. It's a shame Hipsway didn't make it big, when the poseurs Curosity Killed The Cat did (for a while).

Cherelle & Alexander O'Neal - Saturday Love.mp3
The hints were in the air in 1984 and '85 with acts like the SOS Band, but 1986 was the breakthrough for the Timbalands of the day, Jimmy Jam & Terry Lewis. Alexander O'Neal, Atlantic Starr and Janet Jackson were among their clients who had a big impact on soul music at the time. This was a particularly charming upbeat duet, which I bought on strength of Cherelle's previous album. I had yet to discover O'Neal, whose follow-up single "If You Were Here Tonight" was one of the best moments in '80s soul.

O.M.D. - If You Leave.mp3
The O.C. generation will know this as a Nada Surf song. Fulfilling my contractual obligation as an old fart, I feel compelled to point out that while the Nada Surf version is good, the original is far superior. The chorus is another perennial earworm.

Depeche Mode - But Not Tonight.mp3
Depeche Mode didn't rate this song. They recorded it in one day and chucked it on the b-side of "Stripped". Except in the US, where this was the A-side (in a bid to cash in on its inclusion on the soundtrack of Modern Girls, which flopped). This is by a fair length my favourite Mode track, a straight-forward love song with a pretty melody enhanced by Dave Gahan's slightly flat voice.

It's Immaterial - Driving Away From Home.mp3
One of the great songs of 1986. In fact, posting this song a few weeks ago inspired the idea for this series. At the time I speculated that I bought the single at the same time as "Camouflage", but that can't be. I bought "Camouflage" the day I also acquired Hollywood Beyond's crap "What's The Colour Of Money". I don't remember if I bought any other records when I got "Driving Away From Home". I cannot promise that my memory will solve this mystery, so prepare for a few sleepless nights wondering about Any Major Dude Without A Heart's 1980s purchasing record. (previously uploaded)

Stan Ridgway - Camouflage.mp3
Is this song considered a classic? It should be. It has a great driving melody, and it has a narrative that holds the interest; who doesn't love a good ghost story? Ridgway's theatrical, half-sung drawl -- "And here take his dog tag son" -- is very entertaining. I haven't heard anything else by him (I don't think I ever played the b-side of the single). Should I?

Jermaine Stewart - We Don't Have To Take Our Clothes Off.mp3
The late-summer hit of 1986 by a Michael Jackson soundalike. Poor dude should have heeded his own advice: in 1997 he died of AIDS-related causes (wikipedia says liver cancer caused by AIDS. Really?).

Cameo - Word Up.mp3
That codpiece Larry Blackmon wore aroused no suspicion at the time, did it? Cameo were the funk band of the '80s. They had a great line in soul as well (check out "I'll Never Look For Love" and "A Goodbye"). I played "Word Up" to death at the time, as I did with the even better "Single Life" the year before. Even Korn's piss-poor paint-by-numbers cover version a couple of years ago could not undermine my deep affection for the song.

The Housemartins - Think For A Minute.mp3
New Years Eve '85/86 I saw Madness at the Hammersmith Odeon. The supporting act was an outfit I'd never heard of before, but whose performance I liked better than that of Madness. I bought their existing singles, "Flag Day" and "Sheep". Then "Happy Hour", with its clay animation video, became a hit. I was pleased, even though I didn't really like the song much. The follow-up single was "Think For A Minute", a pleasant mid-tempo number with a nice horn solo, featuring one of my favourite lines: "I can't help saying told you so and have a nice final day". By Christmas, the Housemartins were huge with their acappella cover of Isley Jasper Isley's superior "Caravan Of Love". The 12" single of the Housemartins version featured a great clutch of faux-gospel songs, with Paul Heaton, a Christian, referring in evangelist preaching-style to "the great pilot in the sky", which I found very funny indeed. Right click and open in new tab for the Funeral Pudding blog which has MP3s of the Housemartins live at Glastonbury in '86 and other rare material.

Bruce Hornsby & the Range - The Way It Is.mp3
Not a song I liked at the time, but my brother played it in his car when I travelled to South Africa (at this point I'd like to say hello to the lovely Caroline Cave, in the unlikely event she is reading this), so this track evokes a time and place. Which was the point of this series in first place (still is). I started enjoying Hornsby's music later. The Maybe We Ain't That Young Anymore blog had a great 10-minute live version up not so long ago. I don't know if it's still up (lots of good stuff there anyway).

Erasure - Sometimes.mp3
The breakthrough single for Erasure, with Andy Bell doing his best Alison Moyet impression. I bought this single while it was slowly climbing up the charts. As an obsessive student of the UK charts I was worried about missing it's progress while I flew off on a holiday to South Africa. It peaked at #2.

Swing Out Sister - Breakout.mp3
Just joyous! It may not please the taste gestapo, but I really like Swing Out Sister. And singer Corrinne Drewery looked very sexy with her flapper's bob.

Freddie McGregor - Push Comes The Shove.mp3
McGregor had a nice line in light reggae, lovely stuff for the beach, and the perfect soundtrack to getting high from everybody else's fumes at Sunsplash (in South Africa, you watch a Kaizer Chiefs or Orlando Pirates for the same effect). McGregor found hits in 1987 with reggaefied covers of old soul hits which were a bit better than UB40s karaoke records, but did the man no justice. I have no idea whether this track was an original, but it is very lovely indeed.

1984

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What an exciting and traumatic year 1984 was. I fell in unrequited infatuation (Tracey McIntyre, if you're reading this, I'm so over you), increased my party quotient, observed family crises, moved to London with no contacts or a job there (a crazy idea at 18), and suffered the loss of my mother. Musically it was a fantastic year for pop music.

Frankie Goes To Hollywood - Two Tribes
"Relax" and "Two Tribes", the sound of 1984! In the anti-Cold War anthem "Two Tribes", the juxtaposition of the funk-rock and the classical interlude worked brilliantly, musically and metaphorically. The video, showing Reagan and Chernenko in a wrestling match, was quite excellent, too. Frankie's two frontmen, singer Holly Johnson and dancer Paul Rutherford, were openly gay (a bit of a 1984 theme), while the three instrumentalists looked like posterboys for the Liverpool Gay Bashing Society.

Alphaville - Big In Japan
"Forever Young" by this German band is now the better known track (thanks in part to the O.C.-featured cover by the Youth Group), but this is the better song. Its sound is certainly of its time, the synth-as-kitchen-sink production testifies to it. As for the lyrics, what is it about? Drugs and prostitution?

Brenda & the Big Dudes - Weekend Special
Brenda Fassie's debut at 19 was also her opus, a wonderfully poppy dance track with a memorable chorus. Fassie became one of South Africa's most popular singers and most controversial celebrities, famous for her drug-fuelled lifestyle, sexual exploits, outrageous image changes and divaesque outbursts. She died in 2004, apparently of complications from smoking cocaine.

Prince - Darling Nikki
"Darling Nikki" is an often overlooked track in the masterpiece that is Purple Rain. One person who didn't overlook it was Tipper Gore (Al's wife), who took such exception to the lyrics about a girl who liked to masturbate publicly and grind a lot. Those "Adult Advisory" labels any two-bit rapper needs to have on the cover (even the whimpish wankers like Akon), well, it was Tipper who invented them because Prince corrupted the kids of 1984. The globe evidently had not started warming yet. As for Prince, his Purple Rain getup was rather flamboyant, so much so that many people thought he was gay. Prince. Gay. The innocent '80s, eh? Elton John married Renate. Not gay. George Michael was adored by teenage girls. Not gay. Freddy Mercury sang ROCK, for crying out loud. Definitely not gay. Boy George...okay, we did suspect he was gay. Prince bedded more gorgeous women than any of us have seen in our lifetime. GAY, the '80s consensus had it. Not that there's anything wrong with it.

InDeep - Last Night The DJ Saved My Life
Dig the Chic-sampling bassline and guitar. A dance classic that borrowed liberally from disco at a time when disco was anathema. Well, it had a rap in it to keep the breakdancers happy. And you must love a song that provides aural evidence of trouble going down the drain.

Weather Girls - It's Raining Men
Hi-NRG disco was huge in 1984, and I fully welcomed that. Evelyn Thomas' "High Energy", Hazell Dean's rousing dance anthems, the Weather Girls...it was the musical equivalent of a sugar rush. I have been told that "It's Raining Men" is a bit of a gay anthem, but surely not.

Nena - 99 Luftballons
A perfect pop song with a weak-ass metaphor for the Cold War generation. Nena, bless her, made hairy armpits sexy. But the song's real place in history rests in the fact that the German version was a huge hit in the US. In Britain, the far inferior English version was a hit.

Sade - Your Love Is King
In 1984, Sade's sound was something quite unique. Boring acts like Norah Jones owe a lot to Sade, who never was as dull as her winebar reputation would have it. Her debut album scores the soundtrack of my last few weeks in South Africa (playing often in the blue VW Beetle I drove after obtaining my drivers' licence in August -- in SA you may not drive until you're 18) and my arrival in Germany for a nine-week holiday before decamping for London. I love the sad-sounding saxophone that kicks off the song, and Sade's cool yet warm delivery that properly communicates total yearning.

The Smiths - How Soon Is Now (Peel session)
The song that described my life for much of the '80s. Shyness that is criminally vulgar? Check. Going to a club and hope to meet somebody who likes me and standing on my own and leaving on my own and going home and wanting to die. Check (didn't cry, though). This version is from the BBC Peel Sessions, recorded in August 1984. Johnny Marr does recreate the wailing guitar sound, paying paid to the rumour that it was created through studio trickery.

The Special A.K.A. - Free Nelson Mandela
To the surprise of nobody, this was banned in South Africa. In fact, in apartheid SA it was illegal to quote Mandela (or any proscribed person) or even to own a picture of him. So I learned about this tune only when I arrived in London in November 1984. It had vacated the charts by then, but I embraced it wholeheartedly. It turned out to be a great awareness-raising song for the anti-apartheid movement in Britain.

Immaculate Fools - Immaculate Fools
December 1984 in London: my favourite pub in Notting Hill had a video juke box (oooh!)). This was on constant rotation. In Britain these soft rockers (think China Crisis) were a one-hit wonder. Google tells me that the Fools became so big in Spain that they moved over there. (previously uploaded)

The Toy Dolls - Nellie The Elephant
And this was another song on video juke box rotation. Depending on the levels of collective inebriation, he patrons would sing along with gusto whenever it came on. Its musical merits may be debatable (well, actually, not really. It's not Pet Sounds), but it is a great fun song. I still enjoy it, privately.

1983

1983 was my least favourite year of the '80s, personally and musically. I worked inhuman split shifts throughout the year, leaving no time for a social life in a country I had arrived in only a year before. So I was hanging around with fellow hotel people which means that by the age of 17 I was drinking and clubbing prodigiously.

Bonnie Tyler - Total Eclipse Of The Heart.mp3
I saw Bonnie Tyler live some years before, supporting Slade. Even then I was suspicious of her housewife rock. But, my goodness, this track is utter genius. Written by Jim Steinman, who was responsible for the pomp of Meat Loaf's glorious Bat Out Of Hell (as was producer Todd Rundgren), "Total Eclipse" recreates the rock operatic drama, supported by a wonderfully gothic and hilariously camp video (with flying altar boys!). What I like best about this song, though, is the percussive sound of the lyrics.

The Smiths - This Charming Man (Peel session).mp3
1983 saw the emergence of arguably the most important and influential band of the 1980s, the Smiths. U2, who made their breakthrough the same year, might have shifted more records, but virtually every Indie act owes a debt to Morrissey, Marr and pals. "This Charming Man" featured Morrissey's great yelp, which is still there in this recording from the BBC John Peel sessions in August 1983.

Big Country - In A Big Country.mp3
Scotland's Big Country were widely considered a poor man's U2. Ironic, then, that U2 (with Green Day) recently covered "The Saints Are Coming" by the Skids, from whom emerged Big Country. Stuart Adamson's band had a big, rich sound dominated by guitars that sounded like bagpipes, lending their brand of rock a celtic flavour. This song did worse in Britain than it did internationally, reaching only #17 in the charts. It deserved to do better, if only for the fist pumping "Cha!" shouts and a kick-ass catchy chorus.

Aztec Camera - Oblivious.mp3
When I think of Aztec Camera, I think of Bright Eyes. Like Mr Oberst, so was Roddy Frame considered a bit of a prodigy. Frame's huge talent never translated into stardom, just as Bright Eyes will never become mainstream (and let's thank the good Lord for that). "Oblivious" was the hit single from the lovely, utterly exquisite High Land, Hard Rain album, making the British Top 20. It's the poppiest track from the album, but "Walk Out To Winter" and "The Bugle Sounds Again" are just as great. But in 1983 I didn't know that; I bought the LP only in 1985.

Malcolm McLaren - Double Dutch.mp3
McLaren is best known as the manipulative svengali who made the Sex Pistols the boy band of punk, paving the way for Tory bastards Busted. As a performing artist, he compensated for his vocal and musical limitations by helping create cocktails of genres which were, if not always great, then consistently engaging and often influential. He (and, more importantly producer Trevor Horn) fused hip hop and African music with pop, popified Madame Butterfly and later introduced the world to disco waltzing and to vogueing well before Madonna did (1989's "Something's Jumping In Your Shirt" was quite brilliant). "Buffalo Girls", which came out in late 1982, brought hip hop into the mainstream before anyone else did. "Double Dutch" — bizzarely a song about country music dancing — rode on the sound of South African kwêla music, but used a New York group, the Ebonettes, to provide the distinctive backing vocals in the style of the Mahotella Queens (whom Horn used six years later for the Art Of Noise).

Rufus & Chaka Khan - Ain't Nobody.mp3
By 1983, soul music was going to pieces. The Philly Sound was dead, Motown struggled, Stevie Wonder was preparing to record the truly evil "I Just Called To Say I Love You". Luther Vandross was fine, but just too smooth. The even smoother Lionel Richie turned into soul's biggest name. Despite the revolting "Hello", you can't dismiss Lionel (just hear "Love Will Find A Way" on Can't Slow Down), but soul's biggest name? OMG! Soul awaited its re-energisation at the hands of Jimmy Jam & Terry Lewis and their likes. In the midst of all that despondency, the amazing Chaka Khan said goodbye to Rufus with one of the mightiest soul tracks not only of the '80s, but of all time.

Blancmange - Living On The Ceiling.mp3
This song sums up the sound of 1983 for me. If musically that year had any redeeming graces, it was in New Wave: New Order, Heaven 17, Depeche Mode, Human League, Bauhaus, XTC... But also Kajagoogoo.

Depeche Mode - Two Minutes Warning.mp3
"Everything Counts" was the killer track on Construction Time Again, and "Love In Itself" was close behind. Yet it was this song, with its fantastic chorus, that really stood out for me on an album I totally loved at the time. Why was it never released as a single?

Human League - (Keep Feeling) Fascination.mp3
What an uplifting song, the kind one puts on in the morning to force a good mood. I really like Phil Oakley's deep voice when he sings: "And then the conversation turned, until the sun went down."

The Style Council - Speak Like A Child.mp3
And in the unlikely event that "Fascination" can't lift a mood, then the infectiously cheerful "Speak Like A Child" should. Paul Weller had foreshadowed the Style Council song on some the Jam's latter tracks, such as "The Bitterest Pill" and "A Town Called Malice". Now he introduced brass and Talbot's jazzy keyboards. I like the way Weller emphasises the word "a" in the titular line. I later saw the Style Council live twice, in 1984 and 1985, and very good they were, too. But they did dress like a pair of pretentious idiots.

Heaven 17 - Temptation.mp3
My favourite song of the year probably, and a great companion piece to New Order's "Blue Monday". Quite unusually for a New Wave it featured an orchestra, plus the soul beltation (a word I just invented) of Carol Kenyon, who provided backing vocals for Pink Floyd at Live 8. Singer Glenn Gregory looked a bit like a young Christopher Walken — adorable creatures with unacceptable features?

Culture Club - Black Money.mp3
1980s revivalists tend to regard Culture Club as a bit of a novelty act, thanks to Boy George's image and the substance-free "Karma Chameleon" (and let's not even think of "The War Song"). That is a huge injustice. Culture Club produced some of the finest pop music of the decade ("Church Of The Poison Mind", "Miss Me Blind", "It's A Miracle"), and Boy George was a very good singer. This blue-eyed soul track from Colour By Numbers shows Culture Club's depth, a powerful and sad song about unrequited love, aided by the turbopowered lungs of Helen Terry.

Spandau Ballet - True.mp3
Another '80s revivalist favourite, Spandau Ballet are another terribly underrated pop band. Yeah, they do look camp now; indeed, they looked camp even then. They were regarded as a teenybopper act in an era when teen favourites were creating some excellent music. Only a fool would deny the masterful pop of Wham!. Likewise, Spandau Ballet merit a thorough rehabilitation. Songs like "Gold", "Round And Round", "Only When You Leave", "Chant No. 1" and this great ballad deserve to be regarded as bona fide pop classics.

Oh yeah, and there was Michael Jackson's Thriller. You might have heard of it.

1982

And now it's 25 years ago. The photo on the right was taken in Amsterdam in May that year (note the jersey I'm wearing beneath the army surplus jacket; see 1981. And the 'tache!). I think it was this week a quarter of a century ago (shit!) that my family dragged me from West Germany to apartheid South Africa. I was16, and none too happy about it. I couldn't continue my schooling because my English wasn't good enough yet (insert you own joke about my English now), so I worked as a waiter. It turned out to be a great school of life for the following six years. As always, these songs evoke times and places (and some have been posted before. I'll mark them with an asterisks).

J. Geils Band - Centrefold.mp3
One of the great song-along numbers of 1982. "Na na na na na-na na-na..." Freeze Frame was the last LP I bought before leaving Germany (same day I bought The Best Of Cream). It followed a brief flirtation with heavy metal: Motorhead, Iron Maiden, Accept, Judas Priest etc.

Falco - Der Kommissar
This was the song that brought the Neue Deutsche Welle (again see 1981) to an international audience. Trio, Schilling and Nena would follow, but this track rules. It's laced with malicious humour ("und nun das Kinderlied"; "and now the children's song") and what might be the first German rap (in a thick Viennese accent). The English version was rubbish though.

Spliff - Carbonara.mp3
Another Neue Deutsche Welle song. Here Spliff recreated a hint of the Italo-sound that was so popular in West Germany at the time, with the protaginist trying to pick up an Italian chick with pidgin Italian and cliché. I'm not sure whether the song isn't a bit xenophobic (or it's irony, I can never tell), but it sounds great.

Dr Hook - Sexy Eyes.mp3
This came out in 1979, but was the first song I heard after landing in South Africa, on the radio in a fast food joint. It was not my cup of tea at the time; it was only years later that I twigged what a great toe-tapper this really is.

Dexys Midnight Runners - Until I Believe In My Soul.mp3*
Everybody remembers "Come On Eileen" from the majestic celtic soul epic Roo-Ry-Aye, and it was that song which made me buy the album, one of the first purchases I made in South Africa. Among the many favourites of the LP, this was the best. Bloody Sting stole the idea for a jazz solo interlude on "An Englishman in New York", but the best bits are the "Yes Yes Yes" and Kevin Rowlands sneering the immortal line: "You have to be fuckin' joking", at a time when swearing still meant something.

ABC - Poison Arrow.mp3
"The Look Of Love" was rightly the big hit, but "Poison Arrow" was close behind in quality. It's a song that is a product of its time, and yet it still sounds fresh. "Who broke my heart? You did, you did."

Toto - Rosanna*
This is Toto in their pomp, Coke Rock at its best. Written about Rosanna Arquette, you know (as you did). These days retro-minded DJs and VJs will dig out "Africa", which is a decent pop song. "Rosanna" is miles better: the jazzy keyboard, the coke-fuelled guitar solos, the fantastic horns, and a killer chorus. Toto were never good enough to produce a credible Best Of album, but this (as well as "Hold The Line" and "Georgy Porgy") would make owning a copy worth the slight embarrassment one inevitably would suffer when pals rifle through one's CD collection.

Fat Larry's Band - Zoom.mp3
Believe it or not, I had never heard the word "zoom" before I this song came along, though I admired the audacity of rhyming "zoom" with "boom". It's a happy song that made me feel good. Same album produced the mighty funk classic "Act Like You Know It". Rest in peace, Fat Larry.

Crocodile Harris - Give Me The Good News.mp3*
A South African classic, but a bigger hit in France (where it shifted 650,000 copies) than at home. The Croc didn't get another hit, but this one will lasts. On constant rotation on Johannesburg's Radio 5 at the time, the lyrics were interpreted as a veiled criticism of apartheid. Amandla!

Karl Kikilius - Another Shore.mp3
Karl Kililius was a popular DJ on Radio 5, the only English-only pop station in SA, available on FM only in Johannesburg. Then he created the type of song he used to like playing on his show, and jazz-fusion infused Pacific rock number of the kind Boz Scaggs used to do (in fact, Kilkilius sounds a lot like Scaggs). In Cape Town, people are still dancing to it.

Donald Fagen - I.G.Y.*
The Nightfly had one of the coolest album covers in rock history: a monochrome shot of Fagen as graveyard shift DJ, smoking a Chesterfield (Warning: smoking is not cool, kids. Only when Fagen does, it is). When the Steely Dan man's solo album came out, I had to hunt it down; I don't know if it sold out or whether the record shops were unprepared for the demand it elicited.

John Cougar - Jack And Diane.mp3
He might be the sub-Springsteen Mellencamp dude now, but in 1982 he was the sub-Springfield pretty boy rocker. My boss' wife was clearly enthralled by the album, and my boss' wife was hot (my first older woman crush). So I forgave Cougar his name and upturned collar, and gave the song a chance. Never bought the record, but downloaded soon after I discovered MP3s in 1999. I actually like the song.

Yazoo - Bad Connection*
Upstairs At Eric's came out of nowhere. They were an odd combination: synth boffin Vince Clark and would-be soul diva Alison Moyet. It worked brilliantly, with Moyet investing a warmth in Clark's cold electronic sound. An album later they were done. Clark reappeared a couple of years later with Erasure, Moyet had a couple of successful solo albums before fading from view. This is the loveliest track on Upstairs At Eric's.

XTC - Senses Working Overtime.mp3
For the past 25 years the chorus has been a recurrent earworm. Just hearing someone count from one to five sets it off.

Grandmaster Flash & the Furious Five - The Message.mp3
The song that changed rap. That line, "Don't push me to the edge, I'm about to lose control" was my mantra.

Men At Work - Who Can It Be Now.mp3
A much underrated song these days. The saxophone dates it, but the song's structure and Colin Hay's vocals are quite outstanding. This song reminds me of buying Liquorice All-Sorts and marshmallows, for some reason.

1981

And so on to 1981. Again, these are tunes that evoke that year — a year of some fun, several foreign trips, a temporarily close friend named Epstein, shit teachers at a shit school, an idiot of a younger brother (who turned out to be very cool), and the teenage depression most 15-year-olds experience. These are not necessarily favourites songs, then or now.

John Lennon - Watching The Wheels.mp3
The murder of John Lennon ushered in my obsessive Beatles period. I had been a fan since I was 11 (and I listened to the Blue album the night before Lennon was shot), but now I bought every Beatles LP I didn't yet have, including the unlistenable Live At The Hollywood Bowl and the US releases (Japanese and Greek pressings. Are there collectors for Greek Beatles LPs?). "Watching The Wheels" was my favourite track from Double Fantasy, and remains my favourite Lennon track. I'm still fascinated by Lennon, though he was by no means the saint after whom airports should be named. And "Imagine" is one dreadful anthem to hypocrisy.

Billy Joel - Summer, Highland Falls (live).mp3
My Beatles period was followed by a few weeks of intense Billy Joel obsession. For a while, in my deep teenage depression, I listened to Turnstiles, The Stranger, 52nd Street and especially the magnificent Songs In The Attic ad nauseam. I think Billy Joel is often underrated by the Good Taste Police, but these four albums are quite excellent. After 1983 at the latest Joel became an objectionable hack. But he also was my companion through unhappy times. So thanks, Bill.

Ideal - Blaue Augen.mp3
Those of my generation growing up in West-Germany will recall the impact of Die Neue Deutsche Welle, the new wave of German new wave. Before German music consisted of the ubiquitous Schlager herberts (usually with English stage names like Roy Black or Chris Roberts), hoary Kraut rockers doing their thing in English (the bloody Scorpions), chanson merchants (Konstantin Wecker) and the very occasional cool-ish acts (Udo Lindenberg, Marius Müller-Westernhagen, and obviously Kraftwerk). Suddenly there appeared a new sound for a young generation. Looking back, some of them were awful (Markus, Hubert Kah), but at the time even the rubbish acts spearheaded a revolution, with Berlin band Ideal at the vanguard. "Blaue Augen", one of the first Neue Deutsche Welle hits, has an important place in music history. Without it, there might not have been "99 Luftballons". Whether or not that was a welcome consequence, you decide.

Orchestral Manoeuvres In The Dark - Joan Of Arc.mp3
OMD were on the forefront of the post-punk New Wave. First there was "Enola Gay", then came this song, with its synthethizered martial beat, and it was all quite wondrous. It was great seeing OMD singer Andy McCluskey doing his crazy flaying arms dance to this when I saw them in concert in London four years later.

Soft Cell - Say Hello, Wave Goodbye.mp3
To be honest, this might actually belong in early 1982; I'm not quite certain. It's a song that, with the Human League's "Don't You Want Me" and Duran Duran's "Girls On Film", reminds me of the first club I frequented: the notorious Kaisersaal, where no nice parents wanted their nice children to go. Of course, my friend Mike and I and other pals used to go there, starting in late 1981. We U18s had to be out by 10pm; but from 7-10pm the club was cooking already, playing new wave, heavy metal and old rock ("Starman", "Black Betty" etc). We felt all grown up, which leads me to...

Hazel O'Connor - Will You.mp3
Hazel O'Connor produced a shedload of terrible music, and a couple of decent ones: "All Grown Up", "Eighth Day" and "Will You" is one. The latter in particular is an excellent song; the saxophone solo is quite lovely. It really needs to be covered by somebody more talented than Ms O'Connor. The song featured in Breaking Glass, a mess of a film.

Ricchi é Povere - Sara Perche Ti Amo.mp3
Italian hits were always big in Germany. Umberto Tozzi, Adriano Celentano, I Santo California, Giana Nannini, this lot... you couldn't escape them. This song tastes of 1981. I'd like to say it reminds me of pizza places, but I might be making up an association here. The song does smell of pizza and beer and sunshine though. And of fun fairs

Earth, Wind & Fire - Let's Groove.mp3
EWF were classified as disco back then, and disco was not really considered cool. Stuff like this was a "guilty pleasure". Where I grew up, you wouldn't admit to liking this stuff to your friends unless you fancied a bloody nose for being a bit of a Popper. Likewise, you wouldn't admit to liking Roxy Music if you knew anyone with a leather jacket. Alas, my school was full of assholes with leather jackets.

And my favourite item of clothes at the time (oh, hell, EVER!), the FC Nantes jersey:

1980

Let's go on a nostalgia trip. This is the first instalment of a journey through the '80s. These songs represent moments in time; they are not necessarily the best songs of the year, nor my favourites (neither then nor now). These songs evoke for me the feeling of the time, they recreate a time the way a smell might, or taste or photo (like the one on the right, taken in January 1980 on a visit to Finsterwalde in East Germany).

Rainbow - Since You Been Gone.mp3
There were two versions out at the time (both covers themselves). This was one, the other was by the Cherrie sisters, one of whom was in the Runaways. I had both singles, and actually preferred the Cherries' one. Had Richie Blackmore been a hot blonde woman, on the other hand...

Marianne Faithfull - The Ballad Of Lucy Jordan.mp3
One of two songs that appeared in 1979 about middle-age women committing suicide (the song was the Boomtown Rats excellent "Diamond Smile"). This one became a hit in Germany only in 1980. I didn't quite understand the song -- still don't. Kill yourself because you'll never drive a sports car in Paris with the warm wind blowing in your hair? If only that was the extent of my problems! You have children, of school-going age; pull yourself together, Luce!

New Musik - Living By Numbers.mp3
I seem to recall that I bought the 7" single the same day I bought "My Sharona" by the Knack. It's still a favourite song, and I still can't get the different "They don't want your name" voices right.

Dexys Midnight Runners - Geno.mp3
My favourite song of 1980, then and now. The two-tone cover of the single was cool, the song beyond cool, with the horns and Kevin Rowland's strange voice. I don't think I had ever heard anything quite like it before.

Peter Gabriel - Games Without Frontiers.mp3
The whistling! And working out that this was a song about the grotesque TV show we knew in Germany as "Spiele ohne Grenzen"! Plus, "Games Without Frontiers" was my 100th single. The album it came from also featured "Biko", which got my left-wing teenage mind interested in the anti-apartheid movement. Two years later I (unwillingly) moved to apartheid South Africa.

Ramones - Baby, I Love You.mp3
I had liked the Ramones since I was a barely pubescent "punk rocker". Gubba Gubba Hey and Sheena and all that. When this came out, I didn't realise it was a cover version; I really thought the Ramones had changed their sound. I love this version; it's terribly camp without intending to be so.

Robert Palmer - Johnny And Mary
I bought this album the same day as Bowie's Scary Monsters and Paul Simon's One Trick Pony. Then Lennon was shot, and I listened to his music for months (in fact, I was listening to the Beatles' Blue Album the night before I woke up to the news that Lennon had been killed). So this track reminds me of the trauma I thought I had suffered through Lennon's death.

Jermaine Jackson - Let's Get Serious.mp3
Stevie Wonder produced this, and it sounds like it, in a "Do I Do" kind of way. This song is one funky bastard, coming out at about the same time as Michael's Off The Wall. At the time I actually preferred Jermaine's vibe. Is that Stevie actually doing guest vocals?

Olivia Newton-John & Cliff Richard - Suddenly.mp3
I've always been a leading candidate for the presidency of the Cliff Richard Hate Club. So I resisted this song for all it was worth (as I did with 1979's "We Don't Talk Anymore"). Still, the song is 1980, and with time I have come to accept it for the lovely bit of cheese it is.

Styx - Boat On The River.mp3
Styx were crap, really. And this song is a bit crap, too. And yet, as it is playing, I'm singing along with an unseemly amount of gusto. As a 14-year-old I thought I was rather sophisticated for appreciating the Greek-tinged vibe of this song.

Joan Armatrading - Me Myself I.mp3
I bought that album the same day I bought the Styx LP. My grandmother had given me money to buy new trainers. I bought a cheap pair so I could afford to buy a couple of LPs. In 1985 I saw Armatrading live in concert at the Hammersmith Odeon; second row, right in the middle of the stage. In the pub before I must have had a dodgy pint , because I fell asleep mid-gig. Eventually, introducing "Drop The Pilot", Armatrading called the seated crowd to party in front of her stage, presumably so she didn't have to look any longer at that sleeping fucker in the second row...

Ambrosia - The Biggest Part Of Me.mp3
This is how Steely Dan might have sounded had they developed like the Doobie Brothers. I imagined that this would be the perfect song driving along some random US highway with the car top down, and the warm wind in the hair. Bet Lucy Jordan never thought of that!

An Aussie and a Seffrican walk on a stage...

..and create some magic. Last night I saw the great Farryl Purkiss in concert in Cape Town, supported by Australian pop-folk merchant Bob Evans (and South African indie-folk singer Simon van Gend, who was quite excellent in his Clem Snide/Joe Purdy channelling ways). The photos are from that gig.

I've bigged up Farryl Purkiss before. His self-titled sophomore album was one of my picks of 2006 (and the lovely "Better Days" one of my songs of the year). He performed accompanied only by his guitar and a minimalist drummer. Having toured extensively internationally, he is making an impression with his mellow acoustic sounds. He should become huge enough to remain cool, like his heroes Purdy, Mason Jennings, Sufjan Stevens and Calexico.
Farryl Purkiss - Better Days.mp3
Farryl Purkiss - Escalator.mp3


Before last night, all I knew of Bob Evans -- whose real name is Kevin Mitchell and comes from Perth -- was what he streams on his MySpace page. On strength of last night's performance, I bought the CD/DVD set Suburban Songbook. I've played it on rotation since then. The album, which won the Aussie version of the Grammies this year, was produced in Nashville by Brad Jones, who lists production credits for Josh Rouse -- one hears that influence in Evans -- and Yo La Tengo on his resumé. Clearly influenced by a host of '60s artists (he even rocks a harmonica like Dylan), Bob Evans is a bit of an acoustic guitar-playing version of Ben Kweller, with a dash of country (he mentions Johnny Cash among his influences). Which is very much a good thing. This is upbeat folk-pop for a Saturday morning, to sing along to happily as one brews a good cup of coffee to go with the croissant.
Bob Evans - Sadness & Whiskey.mp3
Bob Evans - Rocks In My Head.mp3

Introducing...

Introducing the softer side of the Killers. "Smile Like You Mean It" is a great song. I love the Killers' original; I love Tally Hall's superior cover; and I love the acoustic version (but I'm a sucker for acoustic versions).
The Killers - Smile Like You Mean It (acoustic).mp3

Sounding a lot like the Killers is Cape Town band The Dirty Skirts, who made an impression at this year's SXSW showcase. Their full debut came out in March, but this is their SA #1 hit from last year. Dudes will make it big.
Dirty Skirts - Set Me Alight.mp3

My England-based informant has told me that the very great Joshua Radin is supporting the ghastly Tori Amos on her tour there. FFS! It should be the other way around. Radin's Nick Drake-channelling full debut We Were Here was my album of 2006. This track, from the First Between 3rd & 4th EP, remains my favourite Radin song.
Joshua Radin - Do You Wanna.mp3

One of the best alt.country songs of the last year was the Beauty Shop's "A Desperate Cry For Help" (I love that line: "and all the friends I used to know have gone and formed a hate club..." video here). Use the Hype Machine to find it, but first check out the great opener from Crisis Helpline.
Beauty Shop - Paper Hearts For Josie.mp3

Props to the Bolachas Grátis blog for alerting us to the Antlers' In The Attic Of The Universe, a quite excellent Indie album (according to Bolachas Grátis even an Album of the Year contender). OK, I confess, first time I listened to it I thought it was indifferent (that usually happens when I first listen to Indie albums; I thought the Arcade Fire were crap first up). After the second listen I was intrigued; after the third I was hooked. And the band wants people to download their album for free, for which we should love them!
The Antlers - Stairs To The Attic.mp3

Revisiting...

Revisiting a few older tracks...

Two songs with a similar theme: retirement. Where Ben Folds' Fred Jones is mostly sad and just a little frustrated ("and all of these bastards, who've taken his place, he's forgotten and not yet gone"), the protagonist in Belle & Sebastian's magnificent song is pissed at management and lets them have it in his farewell speech ("The others were shocked at this shameful disgrace at the end of an honoured career. He paused in the silence to pull down his tie
and observe the melee"). Both are lovely songs; how the B&S one was just a b-side and not a huge hit is incomprehensible.
Belle & Sebastian - Take Your Carriage Clock And Shove It.mp3
Ben Folds - Fred Jones Pt 2.mp3 (Live in NYC; DVD Rip)

Playing on the same bill as Ben Folds at that NYC concert were Guster (and Rufus Wainwright). I've been revisiting Guster’s outstanding 2003 album Keep It Together, which I expect to be regarded as some sort of classic before too long. From that CD:
Guster - I Hope Tomorrow Is Like Today.mp3

The proto Indie group arguably was Big Star, whose heyday was the early ’70s. Listen to their stuff from that era, and you might well believe it was recorded by some Indie outfit fairly recently. Especially "Ballad For El Good", possibly one of the loveliest songs ever written.
Big Star - The Ballad Of El Goodo.mp3

One of the unlikely hits of 1986 was It's Immaterial's "Driving Away From Home" (a song I always associate with Stan Ridgway's "Camouflage". I suspect I bought both records at the same time). It was also one of the best hits of 1986. Hmmmm, I think I should have a 1986 retrospective some time...
It's Immaterial - Driving Away From Home.mp3

Higher and higher

Here is a music cliché that pisses me off: that a singer who is able to hit high notes must have a problem with testicular position, constriction or development. Or maybe I'm just being sensitive because I can do a mean falsetto and the contents of my scrotum are in perfect working order (too much information, right?). In honour of all men who can hit the high notes, here are some of the best:

Philip Bailey of Earth, Wind & Fire has a good claim to be the king of falsettoists. Check out the live version of the magnificent "Reasons" when he goes into duel with the alto sax. But Bailey demonstrates the skill it takes to sing falsetto not when hitting the glass-shattering high notes, but when he goes down deep (listen to his "ba-a-a-aby" just before the sax comes in).
Earth, Wind & Fire - Reasons.mp3

They say "Keep On Trucking" was the first disco hit when it reached the US #1 in 1973. By then, Eddie Kendricks had already established his legendary status as a member of the Temptations. The falsetto you hear on "Get Ready" is Kendricks'. I'd say in the battle of '60s falsettos, Eddie wipes the floor with the chipmunkish novelty yelpings of Frankie Valli.
Eddie Kendricks - Keep On Trucking.mp3

Closer to the Valli sound was Eddie Holman, who had a hit with the cute "Hey There Lonely Girl" in 1970. This signalled the emergence a whole string of falsetto-dominated soul acts throughout the '70s. Most, like the excellent Chi-Lites, the Delfonics, the Manhattans or the more poppy Stylistics, alternated the high pitches with deeper voices. Some, like Blue Magic led with the falsetto — and it was beautiful. These acts enjoyed a fair run of success. Poor Jimmy Helms remained a one-hit wonder. His exquisite falsetto on "Gonna Make You An Offer You Can't Refuse" suggests that this was a musical tragedy.
Eddie Holman - Hey There Lonely Girl.mp3
The Chi-Lites - Stoned Out Of My Mind.mp3
Blue Magic - Sideshow.mp3
Jimmy Helms - Gonna Make You An Offer You Can't Refuse

By the '80s, the falsetto had become unfashionable, perhaps because of its association with disco acts (if so, then unfairly so). There were a few exceptions, but even then, only a handful found commercial success. One singer cruelly denied such recognition was Paul Johnson, the bespectacled British soulster whose joyful 1987 single "When Love Comes Calling" was one of the finest recordings in its genre in the decade (oh yes), and arguably the finest falsetto performance of the past 25 years. I can think of only one rival to that claim: Prince (or "symbol", as he called himself then) singing "The Most Beautiful Girl In The World".
Paul Johnson - When Love Comes Calling.mp3
Prince - The Most Beautiful Girl In The World.mp3

Lastly, an artist whose gentle countertenor would sometimes slip into a most restrained falsetto and back again: Curtis Mayfield. This song is not a falsetto, and I'm posting it gratuitously because it is a most beautiful song most beautifully performed. Released just a few weeks before the accident that robbed Curtis of his mobility in August 1990, this belongs in the canon of Mayfield's absolutely greatest hits. But nobody seems to have picked up on that. You judge:
Curtis Mayfield - Do Be Down.mp3

Ben Folds live mix

Here in three packages is my mix of Ben Folds live tracks from:

Songs For Goldfish EP, 2005
Soundboard recording from gig in Berlin, 4 June 2005
DVD Rip of Summerstage gig in New York City, 14 July, 2004
DVD Rip of concerts with the Western Australian Symphony Orchestra in Perth, March 2005)

All tracks have been normalised, and packed in three files for safer downloading (nothing as annoying as a 70MB download cutting out at 95%)

File 1
File 2
File 3
PASSWORD IN COMMENTS

Tracklisting
1. There's Always Someone Cooler Than You
"Make me feel tiny if it makes you feel tall, but there's always someone cooler than you."
2. Rockin' the Suburbs
"Mom and dad make me so uptight, I'm gonna cuss on the mic tonight"
3. One Down
"And I hate hearing belly-aching rockstars Whine and sob, cause I could be bussing tables, I could well be pumpin' gas. But I get paid much finer for playin' piano and kissin' ass."
4. Zak And Sara
"Sara spelled without an 'h' was getting bored on a Peavey amp in 1984 While Zak without a 'c' tried out some new guitars, playing Sara-with-no-h's favourite song."
5. Fred Jones Part 2
"Yeah, and all of these bastards have taken his place, he's forgotten, but not yet gone."
6. Brick
"Driving back to her apartment, for the moment we're alone. And she's alone and I'm alone and now I know it..."
7. Rock This Bitch (New York version)
"R.O.C.K. with your C.O.C.K. out in N.Y.C."
8. Army
"In this time of introspection, on the eve of my election, I say to my reflection: God, please spare me more rejection."
9. All U Can Eat
"See that asshole with the peace sign on his license plate? Giving me the finger and running me out of his lane. God made us number one because he loves us the best, well he should go bless someone else for a while, give us a rest."
10. You To Thank
"Christmas came around and everything was going to crap. For moms and dads not a clue to be had; we put on a pretty good act and they seemed to all need to believe it. So we danced and smiled and paddled hard beneath it."
11. Landed
"Down came the reign of the telephone tsar, it's OK to call."
12. Bitches Ain't Shit
"I used to know a bitch named Eric Wright, we used to roll around and fuck the hoes at night. Tight than a mutharfucka with the gangsta beats and we was ballin' on the muthafuckin' Compton streets..." (it's not autobiographical...)
13. Gone
"I wake up in the night all alone, and that's alright. The chemicals are wearing off
since you've gone."
14. Trusted
"She's gonna be pissed when she wakes up, for terrible things I did to her in her dreams."
15. Still Fighting It
"Everybody knows, it sucks to grow up,and everybody does; it's so weird to be back here."
16. Not The Same
"They come knocking at your door with this look in their eyes, you've got one good trickand you're hanging on..."
17. Rock This Bitch (Perth version)
"We're gonna rock this bitch orchestrally."
18. The Luckiest
"What if I'd been born 50 years before you in a house on the street where you lived.
Maybe I'd be outside as you passed on your bike; would I know?"