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Here is the last intros quiz of the year, this time on the theme of classic rock, covering the period from the late 1960s to 1979. It's pretty easy, I think. In fact, some are so easy, they are bound to insult somebody's intelligence. But the easy ones will make Uncle Fred very happy when you run the intros quiz by him when he comes visiting on Boxing Day. One thing I learned in my brief career as a pub quiz master is to mix up the reasonably challenging questions with really tough ones (give the experts something to chew over) and a few very easy questions, so that the casual participant will also know an answer or three.
I am not in a habit of uploading full albums. There are blogs that specialise in that. So I have ever only posted two albums which are not easy to find (at least if you don't do amazon, which is sticky with deliveries to some countries) and which I think are quite special. One of them was A Renaissance Christmas by the Boston Camerata. Since DivShare wiped out my entire account coinciding with the orgy of blog deletions, the link is dead. A reader asked very nicely if I could re-upload the album. And, since Advent kicked off yesterday, and that reader has periodically left comments, I have gladly done so. It was a very popular download, with 2,000 downloads or thereabouts.
This mix is not a representative overview of ’60s soul. Some essential artists are not represented here: Sam Cooke, James Brown, Temptations, Four Tops, Marvin Gaye, Curtis Mayfield (well, he is very much present on Major Lance’s deceptively titled track. And the Five Stairsteps, with a song released four years before their famous Ooh Ooh Child, evidently have heard a Curtis song or two before). There are some well-known tracks on here – hopefully not too obvious, though – complementing some less famous tracks. Perhaps some songs will provide surprises. Dionne Warwick takes time out from bacharaching to provide a nearly camp girl-band type song. Johnny Adams gives Release Me, most famous in its Engelbert Humperdinck rancid cheese version, the soul treatment, showing that this is in fact a great song.
Philly soul exponent Bunny Sigler found some fame in the 1970s; the closer on this set was his isolated hit (reaching #22 in the Billboard charts) of the 1960s. DeeDee Sharp, another successful Philly singer, represented here (with a b-side track), even married the co-doyen of the city’s famous sound, Kenny Gamble. Some songs set the scene for the sound of '70s soul, perhaps none more so than the Delfonics La La Means I Love You, which created a lush sound which would be widely copied by the likes of the Chi-Lites, Stylistics et al. And going back to the essential sound of '60s soul, check out Peggy Scott on the cover with Jojo Benson: you’d not think that she could belt out a song as she does here. The wonderful Carla Thomas and Otis follow them: by comparison with Peggy & Jojo, those two are pictures of restraint.
There are some fascinating stories behind many of the artists represented here. The most tragic is that of the Bar-Kays, Stax session musicians, who were decimated in the plane crash that also killed Otis Redding, with whom they were touring. And who'd think that the Soul Survivors, another Philly band with a Kenny Gamble connection, were all white?
5. Peggy Scott & Jojo Benson - Lovers' Holiday (1969)
I'm not sure whether it is due to popular demand after last week's compilation, but here is a second '80s soul mix, with a third and final installment in the works. The first mix was an attempt to create a fairly representative cross-section of the genre. This mix is less self-conscious about that. What we have here, then, are some of my favourite soul tracks from that comparatively barren decade. As in any compilation of favourites, the measure of quality may be secondary to the compiler's emotional connection to a song. Is Smokey's Just To See Her any good? I don't rightly know. It may not be a better song than Being With You. But much as I like Being With You, it does not transport me back to a particular time. Play Just To See Her, however, and I smell the girl's hair, taste the vegetarian gunk I used to eat, feel the anticipation of going to the club and the anxiety of missing my friends in London. And so it is with many songs in this mix (especially Pendergrass' wonderfully Marvin-esque Joy).
This mix includes two Gospel songs. Invoking God in soul music was nothing new. Curtis Mayfield did it habitually before Al Green swapped his silky sheets for a silky collar. By Gospel was still indentifiable by its distinctive features. The Winans family, who breed like the Wayans but have more talent in their chosen field, led a revolution which appropriated the contemporary soul sound into their songs of praise. The lyrics were usually not as direct as those of traditional Gospel – less of the hollering hallelujahs and summonsing of witnesses, lawrd. Indeed, hear the Winans or Steve Arrington songs without being aware of the lyrics, and you'd have no idea which genre you're tuning into.
I'm saving the best for last though. The very last. When the bizarrely named Oran 'Juice' Jones berates his cheating girlfriend, he cracks wiser than any heartbroken man ever did. He gets vicious ("I gave you things you couldn't even pronounce") and funny ("You without me is like..." oh, let's not give away the punchline). Doesn't sound as good in print as it does when "Juice" says it. Amusingly, Jones seems to be quite at a loss as to why the girl would cheat on his charming, non-condescending and gender-role sensitive self. The cover of The Rain pretty much sums up our boy Oran's demeanour vis-a-vis the laydees. Still, cracking song. And, don't touch that coat!
Rich K puts out a PDF-based magazine featuring some of my favourite contemporary artists: Kathleen Edwards, Sarah Borges, Josh Ritter, Patty Griffin etc. To go with the mag (which can be downloaded at modernacoustic.com), he runs a blog with copious links to the official sites of the acts he is writing about. Rich is DMCA-safe because he posts no music, but he has taken an interest in the War on Bloggers situation . He wrote to me saying that he is researching an article on the subject. If fellow victims of the terror campaign, or other interested observers, would like to share their views or experiences with Rich, he can be e-mailed: rich [at] modernacoustics [dot] com. One act Modern Acoustics has not featured yet are The Weepies, whose cause I promote with undiluted enthusiasm. From a perfectly legal and band-approved top-notch bootleg:
To illustrate a point I made in the introduction, I found this blog just a few weeks ago and have no idea how I came by it. Whichever route it took, I am delighted to have arrived there. Gentlebear is one of those bloggers who educates and entertains with some fine writing and great song selection. I was particularly impressed with his recent post on The Temptations’ song “I Wish It Would Rain” – possibly my favourite by the Temps next to “Since I Lost My Baby” – featuring a couple of great covers. When I discover a new blog I really like, I trawl through back posts until I have no more energy or time. I read all of the ursine’s blog in one sitting (well, it goes back to only June, but the point stands: this is a very fine blog). The song dedication comes from a 2005 charity compilation, War Child - Help: A Day In The Life. War Child is going to release a new comp in February 2009. Check it out.
A bilingual blog from Canada which takes as its theme appealing or otherwise remarkable graphic artistry from yore. The blog pictures old LP or magazine covers, photos, posters, record labels and so on with a succinct illumination to explain its presence. Sometimes the narrative is very funny. I enjoyed this one for an early ’60s record cover depicting a rather predatory sleazedouche doing the twist: “Here's a stupid and ugly one, for a change. Richard Anthony was a popular French singer of the 1960's. On the cover art of this single, he seems to have other projects than twisting. Look at the way he's watching this girl... Help ! Police !”
Here’s a blog that has been running since I was a little boy in Lederhosen (which reminds me of a boy at school in Germany who once pissed into his Lederhosen. As visitors to München’s Oktoberfest may know, not only is piss in Lederhosen eminently conspicuous, but it also produces a nasty aroma). Funk-loving Michael of SIART describes his blog as “an on-going mix-tape”, which seems to me quite an accurate description, though songs are mostly posted individually. Including a bootleg version of the song this blog is named after (though you’ll have to go back a couple of months to find that). Those still on an Obama-high can get an Obama Mix at SIART. It’s all stimulatingly eclectic stuff.
Jay's debut album, Goddamned, might well turn out to be my most-played of 2008. The long-standing reader will recall that I interviewed Jay back in July. What came across was an appealing personality with some strong opinions and a healthy dose of wit. This is reflected in his apparently very popular blog (featuring a number of video clips from his gigs around Europe), which we can take for granted is written by the artist himself, not an intern at the management company. Jay is certainly building up a strong following around the world, and – this is particularly pleasing – across the sexual spectrum. As he said in the interview, why should his sexuality matter when he sings about stuff in his life? I imagine that Jay's blog is named after this, the theme from The Poseidon Adventure:
I feel a little guilty about not having featured the Infonistacrat before. I have found some great music there, especially from the ’90s, which is a bit of a blind spot for me (fatherhood and lack of access to sources of decent music – DMCA fans might note that had there been blogs then, I’d have bought plenty more CDs then). The Infonistacrat also calls back into action songs from the ’80s, including a lot of half-forgotten material. A great and frequently updated source of alt.rock, punk, indie, new wave and so on. The Infonistacrat will have this song already, probably. It's that sort of song.
The South African singing legend Miriam Makeba died last night of a heart attack after performing at an anti-Camorra concert in Italy. She was 76.
A friend asked me to put together a quiz aimed at a more youthful audience, covering roughly hits from the past five years. I may as well share it here: if the regular visitors don't their MTV from their VH-1, perhaps their kids might like to have a crack at an intros quiz. Family friendly, I am. (The illustration on the right? A Rolling Stone cover from July 2005, more or less the midpoint of the time period covered by this quiz. That Ms Alba... she isn't very ugly at all.)
The November intros quiz: 20 songs released on Motown (or subsidiaries like Tamla) from the '60s to early '80s. Each intro is 5-7 seconds long. Many of them are fairly obvious, with a few tougher ones thrown in to make it interesting. But nothing obscure.
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I am persuaded that we’re dealing here with a court jester living a sadly empty life who no longer gets his kicks (yes, I’m sure it’s a male) from porn sites depicting women with heads shoved down a toilet. My post yesterday might have had our detractor wanking himself into a froth. The expression of his sexual disfunction is perhaps best confined to playing power games with the blogging community, because the alternatives to that are ghastly. People who get off on the exercise of coercive power are liable to also be rapists. The deletion of some posts (which, if one has backed up, can easily be reinstated) is a small price to pay for the safety of women and, perhaps, even children.
Alas, poor Nick Heyward. He was just too clean cut, too cute and too saddled with a insurance salesman's name to be respected. When the barely pubescent girls put up their Nick Heyward posters from Smash Hits, the deal was sealed: Heyward would not...
This version is from the box set of Broooce live recordings released in 1986. It captures the energetic bonhommie between headliner, band and audiences beautifully. You don't need to see ...
I posted this before in the 1970s Time Travel series. Few moments in pop music are sexier than Debbie Harry's spoken intro. Oh, but the '70s were an innocent age, when acts like Blondie were ordered not to feature the word "sex" in the title of a song which ...